Solo Exhibitions
2012
Cache, Active, LA><ART, Los Angeles, CA
Studio Affect, Pepin Moore, Los Angeles, CA
Group Exhibitions
2013
Inaugural Exhibition, Pepin Moore, Los Angeles, CA
Endless Bummer II / Still Bummin,’ Marlborough Chelsea, New York, curated by Drew Heitzler & Jan Tumlir
The Black Mirror, Diane Rosenstein Fine Art, Los Angeles, curated by James Welling and Diane Rosenstein, associate curator Farrah Karapetian
Flicker, Control Room, Los Angeles, Curated by Jan Tumlir
2012
The Crystal Chain, Invisible Exports, New York, NY, curated by Matthew Porter and Hannah Whitaker
Megabodega, Family Business, New York, NY, curated by Victoria Yee How
Woman, Laughing, Isolation Room/Gallery Kit, St. Louis, MO
2011
Second Story | New Editions, Pepin Moore, Los Angeles, CA
No More Reality, Creatures of Comfort, New York, NY, organized by Textfield, Inc.
Sing Me To Sleep, Angles Gallery, Los Angeles, CA, curated by Soo Kim
2010
Young Curators, New Ideas III, P•P•O•W, New York, NY
2009
Beyond Process, Renwick Gallery, New York, NY
The Awful Parenthesis, Cirrus Gallery, Los Angeles, CA, curated by Aram Moshayedi
Palomar: Experimental Photography, Marvelli Gallery, New York, NY
Ooga Booga Reading Room, The Swiss Institute, New York, NY, curated by Wendy Yao
2008
The World Is All That Is The Case, Hudson Franklin, New York, NY
When It’s A Photograph, Bolsky Gallery, Otis College of Art & Design, Los Angeles, CA, curated by Soo Kim
I Am I A Killer, Sam Lee Gallery, Los Angeles, CA
Intersections, Outpost for Contemporary Art, Los Angeles, CA
2006
Best Played With A Straight Face, Hudson Franklin, New York, NY
Rose Bowl Flea Market Biennale, CLANCCO and Outpost For Contemporary Art, Pasadena, CA
New American Talent: 21, Arthouse at the Jones Center, Austin, TX, curated by Aimee Chang
2005
Supersonic 2005, Los Angeles Design Center, Los Angeles, CA
Shipping & Receiving, Armory Northwest/965, Pasadena, CA
FIVE, Scalo Project Space, New York, NY
Some Notes On Personal Acts That Other People Perform, Lime Gallery, CalArts, Valencia, CA
Crossfade, Teoretica Gallery, San Jose, Costa Rica
2004
After Komoru Shinako, Main Gallery, California Institute of the Arts, Valencia, CA
MFA Mid-Residency Show, California Institute of the Arts, Valencia, CA
GPS: Cypress Park, Los Angeles, CA
2003
December Test, South La Brea Gallery, Los Angeles, CA
November Test, D301 Gallery, California Institute of the Arts, Valencia, CA
2002
Home Series, Grand Central Art Center, California State University Fullerton, Fullerton, CA
Bibliography
2013
Travis Diehl, “The Black Mirror,” Artforum.com, Critics’ Pick, February
Leah Ollman, “Black As Everything and Nothing at Diane Rosenstein,” Los Angeles Times, January 31
2012
Sarah Lehrer-Graiwer, “Phil Chang,” Artforum, Summer
James Welling, “Associations for Phil Chang,” nonsite.org, April 17
Walter Benn Michaels, Meaning & Affect: Phil Chang’s Cache, Active, LA><ART, March
Carmen Winat, “Affective Turns?,” Artforum.com, Critics’ Pick, March
Sharon Mizota, “Phil Chang at LA><ART,” Los Angeles Times, March 23
Jan Tumlir, “Dark-Side Minimalism,” X-Tra, Fall, Vol. 15, No. 1
Blind Spot, Issue 45, May, edited by Matthew Porter and Hannah Whitaker
Rebekah Modrak & Bill Anthes, Reframing Photography: Theory and Practice, Resources & Artists Listing, Routledge
Christine Haroutounian, “In View of Affect: An Interview with Phil Chang,” Graphite, April 6
Catherine Wagley, “Phil Chang: Studio, Affect,” Snapshots, Photograph, July 31
Geoff Tuck, “Notes On Looking,” April 7
2011
Jane Herman, “Now Selling”, T Magazine, The New York Times, July 27
Mia Kim, “No More Reality,” The Wild, July
Noel Rodo-Vankeulen, “Books About Photo and Photos About Text,” iheartphotograph, April 13
Geoff Tuck, “Notes On Looking,” January 5
2010
Sarah Lehrer-Graiwer, “500 Words”, Artforum.com, May 13
Sarah Bay Williams, “Three Photo Books and One Book On Photo,” Unframed, May 21
Liu Congyun, “Phil Chang, Interview,” Photo World, Xinhua News Agency, September
Geoff Tuck, “Notes On Looking,” November 11
2009
Vince Aletti, “Galleries – Chelsea,” The New Yorker, June 22
Aimee Walleston, “Photography Wow,” T Magazine, The New York Times, June 5
Seth Curcio, “Palomar: Experimental Photography,” Daily Serving, June 5
2008
When It’s A Photograph, Catalog, Otis College of Art & Design, November
Kim Biel, “I Am I A Killer,” Artweek, October
Nicholas Grider, “Interview with Phil Chang,” iheartphotograph, April 29
2007
Chris Balaschak, “2007 Works”
2006
New American Talent: 21, Catalog, Arthouse at the Jones Center, Austin, TX
2005
Farid Matuk, “Less So The Man: Chang’s Some Notes On Personal Acts That Other People Perform”
Publications
2010
Phil Chang, Four Over One, Wallis Annenberg Photography Department, The Los Angeles County Museum of Art, design by Jonathan Maghen, May
Academic Positions & Appointments
2007 – Present
Visiting Faculty, Department of Art, University of California, Los Angeles
Lecturer, Photography Program, Otis College of Art & Design, Los Angeles, CA
Artist Talks & Lectures
2012
Artist Lecture, Department of Art, University of California, Riverside
Panelist, A Discussion On Aesthetics, Affect and Issues of Value in Contemporary Art, LA><ART, Los Angeles
Panelist, Exhibition Research Forum, Los Angeles, organized by Eric Stone
2011
Artist Lecture, Los Angeles Art Now, Antioch University, Los Angeles, instructor Justin Cole
2010
Panelist with Britt Salvesen and Patterson Beckwith, Art Catalogues at LACMA, Los Angeles
Artist Lecture, Photography Now, University of California, Los Angeles Extension Program, instructor João Enxuto
2009
Artist Lecture, Summer Art Institute, Department of Art, University of California, Los Angeles, instructor Micol Hebron
2008
Artist Lecture, When It’s A Photograph, Otis College of Art & Design
Panelist, 2008 Resident Artist and Architect Critiques, MAK Center for Art and Architecture
Guest Lecture, Professional Practices, Otis College of Art & Design, instructors Linda Burnham & Soo Kim
2007
Artist Lecture, Visiting Artist Course, Art Center College of Art & Design, instructor Soo Kim
Essays & Articles
2013
“Phil Chang: Cache, Active | Conversation with James Welling,” Aperture, Spring, #210
2011
“Interview with Walter Benn Michaels on Photography and Politics”, non-site.org, Issue 2, June 12; iheartphotograph, May 31
2010
“1 Image 1 Minute” X-Tra, Volume 12, Number 2, Winter 2010, organized by Micol Hebron
2009
“Dead and Alive,” Words Without Pictures, Wallis Annenberg Photography Department, The Los Angeles County Museum of Art, May 2009
Curatorial Projects
2012
Affective Turns?, Pepin Moore, Los Angeles, CA
2009
Seeing Sight, LACE Benefit Art Auction, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Grants & Rewards
2005
The Ahmanson Foundation Award
2003
California Institute of the Arts Grant
Education
2005
M.F.A., California Institute of the Arts, Valencia, CA
2007
B.A., University of California Irvine, Irvine, CA
Collections
The Los Angeles County Museum of Art